BEGIN:VCALENDAR VERSION:2.0 PRODID:-//OSM Calendar BEGIN:VTIMEZONE TZID:America/Los_Angeles COMMENT:This timezone only works from 1970-01-01 to 2038-01-01. BEGIN:STANDARD DTSTART:19700101T000000 TZNAME:PST TZOFFSETFROM:-0800 TZOFFSETTO:-0800 END:STANDARD BEGIN:DAYLIGHT DTSTART:19700426T030000 RDATE:19710425T030000,19720430T030000,19730429T030000,19740106T030000,1975 0223T030000,19760425T030000,19770424T030000,19780430T030000,19790429T03000 0,19800427T030000,19810426T030000,19820425T030000,19830424T030000,19840429 T030000,19850428T030000,19860427T030000,19870405T030000,19880403T030000,19 890402T030000,19900401T030000,19910407T030000,19920405T030000,19930404T030 000,19940403T030000,19950402T030000,19960407T030000,19970406T030000,199804 05T030000,19990404T030000,20000402T030000,20010401T030000,20020407T030000, 20030406T030000,20040404T030000,20050403T030000,20060402T030000,20070311T0 30000,20080309T030000,20090308T030000,20100314T030000,20110313T030000,2012 0311T030000,20130310T030000,20140309T030000,20150308T030000,20160313T03000 0,20170312T030000,20180311T030000,20190310T030000,20200308T030000,20210314 T030000,20220313T030000,20230312T030000,20240310T030000,20250309T030000,20 260308T030000,20270314T030000,20280312T030000,20290311T030000,20300310T030 000,20310309T030000,20320314T030000,20330313T030000,20340312T030000,203503 11T030000,20360309T030000,20370308T030000 TZNAME:PDT TZOFFSETFROM:-0800 TZOFFSETTO:-0700 END:DAYLIGHT BEGIN:STANDARD DTSTART:19701025T020000 RDATE:19711031T020000,19721029T020000,19731028T020000,19741027T020000,1975 1026T020000,19761031T020000,19771030T020000,19781029T020000,19791028T02000 0,19801026T020000,19811025T020000,19821031T020000,19831030T020000,19841028 T020000,19851027T020000,19861026T020000,19871025T020000,19881030T020000,19 891029T020000,19901028T020000,19911027T020000,19921025T020000,19931031T020 000,19941030T020000,19951029T020000,19961027T020000,19971026T020000,199810 25T020000,19991031T020000,20001029T020000,20011028T020000,20021027T020000, 20031026T020000,20041031T020000,20051030T020000,20061029T020000,20071104T0 20000,20081102T020000,20091101T020000,20101107T020000,20111106T020000,2012 1104T020000,20131103T020000,20141102T020000,20151101T020000,20161106T02000 0,20171105T020000,20181104T020000,20191103T020000,20201101T020000,20211107 T020000,20221106T020000,20231105T020000,20241103T020000,20251102T020000,20 261101T020000,20271107T020000,20281105T020000,20291104T020000,20301103T020 000,20311102T020000,20321107T020000,20331106T020000,20341105T020000,203511 04T020000,20361102T020000,20371101T020000 TZNAME:PST TZOFFSETFROM:-0700 TZOFFSETTO:-0800 END:STANDARD END:VTIMEZONE BEGIN:VEVENT SUMMARY:A Synesthete's Atlas: Cartographic Improvisations between Eric The ise and John Ingle\; Loan Agreement by John Davis\; Change of Uniform by D ave Defilippo DTSTART;TZID=America/Los_Angeles:20231206T200000 DTSTAMP:20231207T040000Z UID:OSMCAL-2486 DESCRIPTION:

A Synesthete’s Atlas:\nCartographic Improvisations betwe en Eric Theise and John Ingle

\n\nReal-time cartographic improvisation s using projected\, manipulated digital maps by Eric Theise in collaboration with John Ingle\, saxophone. A visual wash of street grids\, land masses\, water bodies\, and curiosities from built and natural environments. Chromatic timbres and iridescent micro-ton alities. Orphaned labels and free-floating symbology. Auditory roundabouts and redirections. Saturated colors and the subtlest of tints. Sounds symp honic and screeching. Jittery zooms\, pans\, and traversals. Glitches in c rowdsourced data.\n\nThis performance will last approximately 45 minutes a nd will occasionally introduce strobing effects that may affect photosensi tive viewers.\n\n\nEric Theise is a San Francisco-based a rtist and geospatial software developer. Through video and realtime perfor mance tools he reinvigorates the perceptual inquiries of structural filmma kers\, experimental animators\, the Light and Space movement\, and 60's li ght shows\, occasionally injecting letterform experiments inspired by visu al poetry\, as new possibilities in the realm of digital cartography. Sinc e its Lisbon premiere in April 2022\, A Synesthete's Atlas has been perfor med in dozens of cities across the US\; it’s been described as anti-cine ma\, post-cinema\, pre-cinema\, and truly radical cartography.\n\nhttps:// erictheise.com/a-synesthete-s-atlas/\n\nSaxophonist/composer/improviser John Ingle is originally from Memphis\, TN and now resides and works in San Francisco. His music is informed and influenced by contem porary concert music\, improvised music\, electronic music\, jazz\, variou s Asian folk music traditions\, and the blues and gospel of his native Sou theast US. He collaborates with electronics innovator Laetitia Sonami\, an d in duo with NYC-based composer/dulcimerist Dan Joseph and is a founding member of the sfSoundGroup. John's solo saxophone music emphasizes multiph onics\, vocal harmonics and subtle control of extended saxophone technique s\, while his chamber music explores such musical parameters as spiral tim e\, linear pulse\, and non-linear harmony\, and indulges in both simple re sonance as well as complex timbre and auditory sleights-of-hand.\n\nhttp:/ /www.sfsound.org/~john/\n\n\n

Loan Agreement:\nSingle channel 16mm film to improvised music by John Davis

\n\nJohn Davis is a filmmaker and musician living in Northern California. Incorporating arch ival\, found and original footage\, his single-channel films celebrate the interplay of personal\, nostalgic\, cultural and ecstatic themes. As a mu sician\, he works with stringed\, percussion\, and electronic instruments\ , and his music has been released on the Root Strata\, Digitalis\, Student s of Decay\, Bimodal Press and Peasant Magik labels in the US\, and the ob s label\, Rostov On Don\, Russia. He also runs Bimodal Press\, a tiny publ ication outlet that emphasizes San Francisco Bay Area experimental music\, film and related ephemera. Highlighting a small selection of artists\, th e label also serves as a home to both the Gravity Spells I and Gravity Spe lls II projects\, and is committed to ongoing collaborations with Bay Area media artists\, musicians and writers.\n\nhttps://www.noiseforlight.com/\ n\n\n

Change of uniform:\nimprovised computer music by Dave DeFilippo\n\nSynthesis algorithms generate unstable patterns and chaotic oscilla tions as real-time signals. Many of these signals are entrained through c oupling to create colliding itineraries of rhythm and frequency transforma tion. The music investigates the effects of chaotic determinacy and sponta neous order as structures for improvisation.\n\nDave DeFilippo is a musician and researcher from the Bay Area. His writing on impr ovisation\, dynamical systems and musical synthesis\, and music interfaces \, can be found internationally in ArXIV\, IEEE and ICMC. He previously w orked in research at CNMAT on gestural control software and the concept of naming in various applications to technology and culture. Later moving to San Diego\, he completed a Ph.D in Music at UCSD.\n\nhttps://davedefilipp o.bandcamp.com/\nEvent Website: https://outsound.org/ GEO:37.781934;-122.410365 LOCATION:Luggage Store Gallery\, Foundry Square\, San Francisco\, Californ ia\, United States END:VEVENT END:VCALENDAR